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Processes Used |
Meg works
primarily in terra-cotta, a red clay which fires a light pink when left in
it's natural state. She usually patinas the fired pieces, using a
combination of acrylics shellac with bronze powder, and wax mixed with
various colors, depending on the effect she wants. If the piece has a mold
made of it, then it is possible to make either hydrocal (a very hard
plaster), Bronze or bonded bronze copies of it. The hydrocal copies are the least expensive although not as durable and bronze or bonded bronze. Bonded bronze is a plastic resin with bronze powder in it - much lighter in weight than bronze, and suitable for indoors and outdoors. Bronze, of course, is the most desirable because of the beautiful patinas it is possible to get, and it's long lifetime. Terra cotta is her medium of choice
because it is easy to work with and it is possible to get fine detail. After
sculpting a piece, it must be hollowed, and dried before firing. It is put
in the kiln and the temperature slowly raised to the maximum for that
specific kind of clay (each clay has a different maximum firing temperature)
and kept there for approximately 12 hours. |
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